I’m a film & TV editor based in London, UK.
My work ranges across fiction, documentary, animation, music videos and commercials, with films that screened at the Venice International Film Festival, Sundance Film Festival and AFI FEST (Sandstorm), BFI London Film Festival (#FollowMe / The Riley Sisters), Aesthetica (Kiss Chase), Doclisboa (Red Soleil), London Short Film Festival (Butterfly Affect) and Annecy (A Film About a Pudding). My documentary projects were awarded at Open City Documentary Festival (So They Say) and shortlisted for a Grierson Award (All Is Now).
I’ve edited shorts commissioned by the BFI, Disney+, Sky Arts and Channel 4.
I won best editing at Female Filmmakers Berlin in 2022 and was nominated in the same category at Underwire Film Festival in 2019.
In 2023, I was named a BFI Film London Lodestar.
At the start of 2021, I edited my first narrative feature, Trapping, directed by BAFTA and BIFA nominated filmmaker Penny Woolcock, and have since worked on several longform projects, including the upcoming Portraits of Dangerous Women, starring Screen Star of Tomorrow Yasmin Monet Prince and Tara Fitzgerald, and a music documentary series for Paramount Global (The Evolution of Black British Music), which won a Royal Television Society award for Best Arts Programme.
Most recently, I edited an episode of the eco-thriller drama The Rig S2, for Amazon Studios and co-edited a Sundance Institute / Doc Society feature documentary, Doppelgangers3, which will screen at SXSW this spring. I was also assembly editor on the BFI / Film 4 funded feature, Layla, which premiered at Sundance 2024.
I aim to bring sensitivity and curiosity to the material I edit, while I also enjoy being creative with form to tell stories in unexpected ways.
I started out by learning the craft as an assistant editor on award winning features, TV dramas and documentaries. Credits include His Dark Materials (BBC/HBO), Three Billboards outside Ebbing, Missouri (Fox Searchlight), Goodbye Christopher Robin (Fox Searchlight), Dolittle (Universal) and Broadchurch series 3 (ITV), among others.
I graduated with distinction from the National Film & Television School’s MA in Editing and have a BA in History and Politics from Oxford University. I have a musical background, so I get excited about finding the rhythm and timing inherent to every project.
I am a Berlinale Talents alumna and part of Edit Collective.
Born in Bucharest, Romania, I moved to the UK at a young age.
My work ranges across fiction, documentary, animation, music videos and commercials, with films that screened at the Venice International Film Festival, Sundance Film Festival and AFI FEST (Sandstorm), BFI London Film Festival (#FollowMe / The Riley Sisters), Aesthetica (Kiss Chase), Doclisboa (Red Soleil), London Short Film Festival (Butterfly Affect) and Annecy (A Film About a Pudding). My documentary projects were awarded at Open City Documentary Festival (So They Say) and shortlisted for a Grierson Award (All Is Now).
I’ve edited shorts commissioned by the BFI, Disney+, Sky Arts and Channel 4.
I won best editing at Female Filmmakers Berlin in 2022 and was nominated in the same category at Underwire Film Festival in 2019.
In 2023, I was named a BFI Film London Lodestar.
At the start of 2021, I edited my first narrative feature, Trapping, directed by BAFTA and BIFA nominated filmmaker Penny Woolcock, and have since worked on several longform projects, including the upcoming Portraits of Dangerous Women, starring Screen Star of Tomorrow Yasmin Monet Prince and Tara Fitzgerald, and a music documentary series for Paramount Global (The Evolution of Black British Music), which won a Royal Television Society award for Best Arts Programme.
Most recently, I edited an episode of the eco-thriller drama The Rig S2, for Amazon Studios and co-edited a Sundance Institute / Doc Society feature documentary, Doppelgangers3, which will screen at SXSW this spring. I was also assembly editor on the BFI / Film 4 funded feature, Layla, which premiered at Sundance 2024.
I aim to bring sensitivity and curiosity to the material I edit, while I also enjoy being creative with form to tell stories in unexpected ways.
I started out by learning the craft as an assistant editor on award winning features, TV dramas and documentaries. Credits include His Dark Materials (BBC/HBO), Three Billboards outside Ebbing, Missouri (Fox Searchlight), Goodbye Christopher Robin (Fox Searchlight), Dolittle (Universal) and Broadchurch series 3 (ITV), among others.
I graduated with distinction from the National Film & Television School’s MA in Editing and have a BA in History and Politics from Oxford University. I have a musical background, so I get excited about finding the rhythm and timing inherent to every project.
I am a Berlinale Talents alumna and part of Edit Collective.
Born in Bucharest, Romania, I moved to the UK at a young age.
